The Ten
- Ten sessions in the studio, taken as you like
- Good for 6 months from opening
- Transferable once
- Founding rate held 12 months
An editorial photo and video studio with a four-seat Workroom, in a South Park work loft with its own street entrance. Ivory walls, ink steel, travertine and brass, arranged to be photographed. A limited run of Founding Editions for the people who reserve first.
2911 HOUSE is built by Twenty-nine Eleven Co., the Los Angeles creative storytelling agency that has spent years telling other people's stories in other people's studios, and moving the furniture first. This is the one we wished existed: the light, the surfaces and the silence settled before you arrive, so the only thing left to do is the work. The finish of a production house, the intimacy of a members' club, by the session. Quiet enough to think in.
Ground-floor light through a wall of windows, a seamless, bouclé and marble that hold a frame, lighting already on stands. Room for a small crew. Reserved by the session for photo, video and sound.
One long table, four seats, the stair overhead. For writers, editors and creators who want a considered place to work near their clients. Day passes and monthly seats.
A room built for voices, added once the Studio is full and paid for by the House itself. Founders hear about it first, and sit in it first.
Phase two · 2027Every view here begins with the room as it is today: its floor, its stair, the wall of windows and the light that moves across them through the day. What has been added is the way it will be dressed, piece by piece, in the materials below. When the last piece is placed, photographs take their turn.
You come in through your own door on the street, not a lobby. The room has been reset since the last session: the sofa squared, the table cleared, the rug brushed.
Morning light comes in low across the window wall; by afternoon it is even and soft. Nothing on the walls is there by accident, so nothing needs moving before the first frame. Coffee is on the counter. When you leave, the House puts the room back the way you found it, for whoever is next.



Ivory walls that hold skin tones. Ink steel and espresso wood for structure. Travertine and bouclé for the surfaces that end up in frame. One oxblood accent, brass where a hand touches. A room that photographs well is a room that has already made its decisions.
The walls change. Every ninety days a living artist's work hangs in the studio, and every session that season is made inside it. The House tells each artist's story in film and print; viewings are private, by reservation. The first installation hangs at opening.


Founding is an invitation, not a sale. Each edition is named on the wall and holds the founding rate for twelve months while the published rate rises. A session is one hour in the room, taken in whatever blocks you like. Checkout is by Stripe; the calendar comes before opening.
The exact address is shared with your reservation confirmation. The loft sits in a residential building, so the House keeps quiet hours and a short list of rules.
One reservation at a time, and the room reset between them. No events, no open calls, no sound that carries past the door. No smoke, open flame, glitter, confetti or adhesives on the walls; the surfaces are the point. Load in and out through the street entrance. Leave it as you found it; a cleaning fee applies if not. Every person on a reservation signs the release before entering.
This is what lets a studio sit quietly inside a residential building, and why the room will still look like this a year from now.
Founders hear first. Everyone on the list hears next, before anyone else.